Nan Goldin's 1980 photograph “Rise and Monty Kissing” reminds us of the spontaneous nature of love, contrasting with the way love is defined inthe age of social media. The photo is part of an archive of nearly 700 images taken by the artist during the 1970s and 1980s. Housed at The Museum of Modern Art, the photograph is reinterpreted in 3D using the Marigold Depth Estimation method on the cover of Sober's “Love, Hate, Love” issue, symbolizing the cyclical nature of love and hate. We either cling to or flee from the pleasure this photograph evokes. The tangled web of emotions we call love—their experiences and consequences—can sometimes be worth a lifetime. Can love and hate complement each other? Nan Goldin , “Rise and Monty Kissing”, 1980, Museum of Modern Art